New York Times
"...Marcus Dean Fuller is the greatest revelation"
New York Times, Theater Review, July 13, 2008, "A Lear That Can Be Believed (Not to Mention Understood)" by Anita Gates
“ – the camera can show us the world – and make it look hard. Their characters undergo a painful process of disillusionment, and then keep going. The disappointment they encounter – the grit with which they face it, the grace with which it is conveyed – becomes, for the audience, a kind of exhilaration. What happens at the end of a dream? You wake up.”
New York Times Magazine, “Neo-Neo Realism: A handful of young American directors are making clear-eyed movies for hard times.” By A.O. Scott – Sunday, March 22, 2009
"Suddenly, Hollywood Seems a Conservative Investment" by Brooks Barnes.
Variety
Could box office bonanza dry up?
Overstuffed release schedule gets leaner
By PAMELA MCCLINTOCK
From glut to drought: Will there be enough movies come 2011 and beyond?
After several years of moaning that hedge funds had overfilled the release schedule, studios began threatening to cut back their slates. Now, they may be cutting back more than they wanted.
Their output has hit a serious speed bump, thanks to a number of factors: The economic crash and retreat of private equity money, a protracted writers walkout, a production slowdown over fear of an actors strike and the dismantling of studio specialty labels.